Drums

Why the Drums?

As far back as I can remember I had a strong connection to music. I was also very curious about how music was created.

As a child, I sang all the time. I would often make up songs about where I was and who I was with. My grandmother would tell the story about a night that I was staying with her and my grandfather, when I was discovered standing in my crib and singing, “In the night, in the night, in the night at Pawpaw and Lorlie’s.”

My earliest experiences of participating in musical activities were singing hymns in church and being in the school chorus. I liked the idea of my voice blending with others, and I’ll never forget following along with my grandmother’s voice as we sang from the church hymnal. These melodies along with the songs my parents sang to me are some of my earliest recollections of expressing music.

I was also a fan of popular music. I learned about it from television, and by listening to the records my parents or my baby-sitters would play. The Ed Sullivan Show, American Bandstand, Soul Train and countless variety shows featured the top artists of the day. There were also tv shows like The Monkees and The Partridge Family, which were about people who formed bands  I was also introduced to rock and roll music by the teenage girls who often looked after me. Girls like my cousin Donna and Jill, the girl who lived next door. My friend’s older sister Jan, as well as a pair of distant cousins who I met when I was visiting my grandparents in the mountains, also introduced me to new songs and artists. I also listened to the radio all the time. When I heard a song that I liked, I would try to get a 45 r.p.m. recording of it. All of this was like a course in popular music appreciation.  By the age of five, I knew about the Beatles, and I knew that a combo consisted of electric guitar, a bass, keyboards, and drums.

In the neighborhood where I grew up, I had the chance to get a firsthand look at drumsets and drummers playing them. A friend of mine named Finley had an older brother who owned a gold sparkle drum set that I was allowed to fool around on.  There were also two bands that rehearsed in the basements of nearby homes. My friends and I would sometimes go watch one of the bands through the basement windows of the house where they practiced. When the teenage boys took a break to smoke cigarettes, we were invited in for a closer look at their instruments. Once, a different band set up in the driveway of the home down the street, where they put on a short concert for the neighborhood – I remember them playing “Come Together,” by the Beatles. At that time I thought that playing music was very cool.

Then there was my third-grade teacher Ms. Carter, and her colleague Ms. Neely, whose classroom was across the hall. These two African-American teachers introduced me to African-American culture in 1969: The Jackson Five, Joe Frazier, Mohammed Ali and soul music. I didn’t spend a lot of time learning the traditional school subjects that year; but, as I spent my time going back and forth between their two classrooms, I learned about different things, which were outside of my white middle-class world. These things would continue to shape my interests. My parents felt differently. They put me in a private school the following year.

With so much of it around me, I thought that music was another one of the elements in the natural world. And learning to play a musical instrument was the next step in the process.

My father bought me a snare drum and cymbal for my eighth birthday, I guess it to see if I’d stick with it before he invested in a full drumset. I don’t remember taking any music lessons, nor do I recall playing anything musical on that drum and cymbal; however, I must have demonstrated something, because the following Christmas day, I got my first drumset! Soon after that took my first lessons from a drummer in one of the neighborhood bands. At the age of eight, I became a drummer.

First Drumset

This is where it all began. My first drumset.

 

More Video of Me Playing Drums for a Dance Class and Some Spilled Coffee

Here’s another video of me playing drums for dance class. It’s a little longer than the previous video I posted, and it’s a little more exciting. In this video, I’m playing for the first two exercises  in the “warm-up” portion of a jazz dance class. The camera is set up in such a way that you can see the students in the background as I play. The first part is their opening stretches, and the second part, which is a little more up-tempo, is cardio training and isolations.

I never plan what I’m going to play for these warm-up sequences, and I rarely play the same thing twice. The instructor sets the sequence of the exercise and I base my playing on that structure–changing my patterns to fit the shifts between the character of the movements. In some classes, a warm-up can last up to ten-plus minutes and can have tempo changes and shifts in meter. Longer warm-ups can take weeks for the students to learn and teachers may add to the structure as the dancer’s abilities improve. As you can see this opening warm-up is fairly short and straight forward.

https://vimeo.com/328618597?activityReferer=1

The reason the second part is abbreviated is that my phone/camera and the cup of coffee it was leaning against, wound up on the floor, creating a small puddle under the piano in the dance studio. I couldn’t stop playing, so the remainder of the exercise features a shot of the dance studio’s ceiling accompanied by the sound of my drumming–all of this was edited out. The cause of this debacle was that the camera and coffee configuration became destabilized due to the vibrations created by my drumming and the dancers’ movements–the floor is springy. The instructor used recorded music for the next part of the warm-up because I had to mop up the coffee spill.

 

A Sample of Music I’ve Composed: Full of Echos Part 3

About 9 years ago I composed and recorded the music and soundscape for a performance by the Murphy-Smith Dance Collective called “See What I Hear.” In total, I recorded over eighteen minutes of music and sounds for SWIH.

Here’s a short piece from that performance called “Full of Echos Part 3.” It’s a short drum solo played over a contrapuntal bass and piano part. The solo winds into an angular groove that ends the piece.

All the compositions I made for that performance can be found on my Sound Cloud page. Gordon Nunn’s Sound Cloud Page

I’ll be composing new music later this spring and summer, which I’ll post to this blog.

Summer West African Drumming Class

I will be teaching a West African drumming class at Brighton Music Center on Wednesday nights beginning July 11 to August 22 from 6:30-8:00 p.m. The class will be for beginner to intermediate level drummers.

Over the course of six classes we’ll learn the basics of hand drumming and play djembe drumming pieces from Mali and Guinea in West Africa. Participants will have the opportunity to learn the djembe and dun dun and rhythms associated with each piece. We’ll also learn songs that go with the drumming, as well as musical arrangements for the ensemble. There will also be an opportunity to learn drum solos that go with each piece.

Classes will take place in July 11, 18, 25 and August 8, 15, 22 – there’s no class on August 4.

You can pay for the course in two different packages: all six classes for $75 or three classes for $50. If you’d prefer to drop for a single class the cost will be $20.

Question: If I were to get a new drumset… should I got with Yamaha or Mapex? I like both of them a lot.

Answer: Most drum companies offer lines of drums sets that range in quality from an entry-level instrument to the custom quality drums that professionals use for touring and recording. And they also build drums that somewhere between the two extremes. Yamaha and Mapex both offer different 8 models of drums.

Do your research:
Know what the drum is made of. Most drum companies offer drum shells built from a variety of woods: maple, birch, oak, poplar and sometimes exotic woods and even blends of two or more layered in multiple-ply drums. Maple and birch shells as well those made from exotic woods are commonly used for the top of line drums, and each of these woods produce different sound qualities. The mid-level drums are made of oak, popular as well maple and birch. What separates the top tier drums from the middle level are the way the shell are constructed, the number of plies and even mounting system used to attach the tom toms to the bass drum. With lower-end drums the companies don’t usually mention the type of wood that used. I recommend that you go to a drum shop or a high-end music retailer like Guitar Center and listen to the different shell types for your self.

Size counts:
Companies offer drums in a variety of sizes from power with extra depth, the traditional and experimental sizes. Drummers choose sizes based on the type of music they are playing. Again, here’s where your research comes in. Who are your favorite drummers and what type music do they play. Find out the sizes that they use as a starting point. What type of music are you going to be playing. Generally, drummers playing rock or funk prefer 22” by 16” bass drums, while jazz drummers like 18” by 14 or 16” bass drums.

Hardware:
In the same way that companies offer different models drums, they make different styles of hardware from lightweight to heavy-duty. Think about how often your going to be hauling a case filled with lots of cymbal and snare drum stands, along with mounting system. It can get pretty heavy

Your budget:
In the end a lot will be determined by how much money you have to spend. However, with companies like Yamaha and Mapex your going to get good drums at every level.