music

Why the Drums?

As far back as I can remember I had a strong connection to music. I was also very curious about how music was created.

As a child, I sang all the time. I would often make up songs about where I was and who I was with. My grandmother would tell the story about a night that I was staying with her and my grandfather, when I was discovered standing in my crib and singing, “In the night, in the night, in the night at Pawpaw and Lorlie’s.”

My earliest experiences of participating in musical activities were singing hymns in church and being in the school chorus. I liked the idea of my voice blending with others, and I’ll never forget following along with my grandmother’s voice as we sang from the church hymnal. These melodies along with the songs my parents sang to me are some of my earliest recollections of expressing music.

I was also a fan of popular music. I learned about it from television, and by listening to the records my parents or my baby-sitters would play. The Ed Sullivan Show, American Bandstand, Soul Train and countless variety shows featured the top artists of the day. There were also tv shows like The Monkees and The Partridge Family, which were about people who formed bands  I was also introduced to rock and roll music by the teenage girls who often looked after me. Girls like my cousin Donna and Jill, the girl who lived next door. My friend’s older sister Jan, as well as a pair of distant cousins who I met when I was visiting my grandparents in the mountains, also introduced me to new songs and artists. I also listened to the radio all the time. When I heard a song that I liked, I would try to get a 45 r.p.m. recording of it. All of this was like a course in popular music appreciation.  By the age of five, I knew about the Beatles, and I knew that a combo consisted of electric guitar, a bass, keyboards, and drums.

In the neighborhood where I grew up, I had the chance to get a firsthand look at drumsets and drummers playing them. A friend of mine named Finley had an older brother who owned a gold sparkle drum set that I was allowed to fool around on.  There were also two bands that rehearsed in the basements of nearby homes. My friends and I would sometimes go watch one of the bands through the basement windows of the house where they practiced. When the teenage boys took a break to smoke cigarettes, we were invited in for a closer look at their instruments. Once, a different band set up in the driveway of the home down the street, where they put on a short concert for the neighborhood – I remember them playing “Come Together,” by the Beatles. At that time I thought that playing music was very cool.

Then there was my third-grade teacher Ms. Carter, and her colleague Ms. Neely, whose classroom was across the hall. These two African-American teachers introduced me to African-American culture in 1969: The Jackson Five, Joe Frazier, Mohammed Ali and soul music. I didn’t spend a lot of time learning the traditional school subjects that year; but, as I spent my time going back and forth between their two classrooms, I learned about different things, which were outside of my white middle-class world. These things would continue to shape my interests. My parents felt differently. They put me in a private school the following year.

With so much of it around me, I thought that music was another one of the elements in the natural world. And learning to play a musical instrument was the next step in the process.

My father bought me a snare drum and cymbal for my eighth birthday, I guess it to see if I’d stick with it before he invested in a full drumset. I don’t remember taking any music lessons, nor do I recall playing anything musical on that drum and cymbal; however, I must have demonstrated something, because the following Christmas day, I got my first drumset! Soon after that took my first lessons from a drummer in one of the neighborhood bands. At the age of eight, I became a drummer.

First Drumset

This is where it all began. My first drumset.

 

More Video of Me Playing Drums for a Dance Class and Some Spilled Coffee

Here’s another video of me playing drums for dance class. It’s a little longer than the previous video I posted, and it’s a little more exciting. In this video, I’m playing for the first two exercises  in the “warm-up” portion of a jazz dance class. The camera is set up in such a way that you can see the students in the background as I play. The first part is their opening stretches, and the second part, which is a little more up-tempo, is cardio training and isolations.

I never plan what I’m going to play for these warm-up sequences, and I rarely play the same thing twice. The instructor sets the sequence of the exercise and I base my playing on that structure–changing my patterns to fit the shifts between the character of the movements. In some classes, a warm-up can last up to ten-plus minutes and can have tempo changes and shifts in meter. Longer warm-ups can take weeks for the students to learn and teachers may add to the structure as the dancer’s abilities improve. As you can see this opening warm-up is fairly short and straight forward.

https://vimeo.com/328618597?activityReferer=1

The reason the second part is abbreviated is that my phone/camera and the cup of coffee it was leaning against, wound up on the floor, creating a small puddle under the piano in the dance studio. I couldn’t stop playing, so the remainder of the exercise features a shot of the dance studio’s ceiling accompanied by the sound of my drumming–all of this was edited out. The cause of this debacle was that the camera and coffee configuration became destabilized due to the vibrations created by my drumming and the dancers’ movements–the floor is springy. The instructor used recorded music for the next part of the warm-up because I had to mop up the coffee spill.

 

A Sample of Music I’ve Composed: Full of Echos Part 3

About 9 years ago I composed and recorded the music and soundscape for a performance by the Murphy-Smith Dance Collective called “See What I Hear.” In total, I recorded over eighteen minutes of music and sounds for SWIH.

Here’s a short piece from that performance called “Full of Echos Part 3.” It’s a short drum solo played over a contrapuntal bass and piano part. The solo winds into an angular groove that ends the piece.

All the compositions I made for that performance can be found on my Sound Cloud page. Gordon Nunn’s Sound Cloud Page

I’ll be composing new music later this spring and summer, which I’ll post to this blog.

Steve Gadd

Steve Gadd has inspired me on countless occasions. He makes me want to sit down behind the drums.

The parts he created for songs like “Late in the Evening” and “Fifty Ways to Leave Your Lover” have become classics in the history of great drum set parts. His solos on songs like “Aja” by Steely Dan and “Not Ethiopia” by Steps are studies in how to play musical drum solos. And his ability to “play for the song”  show how he can make the simplest parts sound completely interesting.

As soon as I figure out how to up load videos on to my site I’ll put them up. Meanwhile his work is easy to find on Youtube.

Cheers.

Last Night Was a Success

Last night was a busy night of drumming. I performed with two bands show at Howlers Coyote Cafe in Pittsburgh. The first band was Batamba — a band that I’ve played with for almost a year now. We were originally scheduled to be the opening act for the Zambian musician Mathew Tembo. However, four of the members of Batamba plus a bass player and a trombone player ended up backing the xylophonist/mbira player from southern Africa.
He’d contacted us about a week ago and asked if we’d like to be his band for the Howlers show. So with one rehearsal under our belt, we managed to pull off a good performance. Good enough that he’s asked us to join him for more shows.
Michael’s music is very enjoyable to listen to and it definitely makes you want to dance
For Batamba it was our first performance since last November when we opened for the Tuareg guitarist Bombino. It was so good to play with those guys again. We’ll be headlining our own show at the AVA Lounge next Friday, May 2.

Speaking of great Africa influenced music (and dance), a good friend of mine will be performing with the AfroCuban dance ensemble Oyu Oro at the Dance Africa being held at the August Wilson Center tomorrow, April 24.

Open Drumming in Greenfield

Hello Pittsburgh Hand Drummers,

I’ll be leading an open drumming session at Greenfield Presbyterian Church, this Thursday, February 24 from 7–9 p.m. Some loaner drums will be provided. I’ll be asking for a five dollar donation from each participant.
The church is located at 3929 Coleman St. Pittsburgh, PA 15207.

My intention with this event is to provide an indoor environment where people can come together to drum, and have fun.

Drumming brings people together. My hope is that in this context, we can create rhythms that are the result of the collective creativity of everyone present.